DSLR and Mirrorless Cameras
The process for capturing a 360° panorama with a 'traditional' camera is also called a 'multi-row spherical panorama'.
This documentation is provided as an introduction to the process of creating 360° panoramas. Further research and experimentation is not only recommended, but vital in achieving any usable results.
A 'multi-row spherical panorama' describes a few elements of the image:
- A 'panorama' is defined as an image with a width greater than is 2x height.
- 'Multi-row' refers to the technique of capturing multiple rows of images and stitching them together.
- 'Spherical' or 'spherical projection' denotes that the image covers a full 360° sphere.
The process of creating 'multi-row spherical panoramas' is technically challenging requiring some experimentation and practice to produce a good image. However, the quality and resolution of images can be magnitudes greater than a dedicated 360° Camera when captured and processed correctly.
Equipment
Any DSLR or Mirrorless camera is capable of creating 360° panoramas. The ability to create a 360° image relies on a workflow and the accompanying equipment rather than the cameras features.
- A camera!
- A stable tripod
- A spirit level indicator on the tripod and on the tripod head is ideal.
- Some cameras also have an electronic level indicator, this can also be useful but not a requirement.
- Level everything, check and recheck, rotate the head all the way around and angle it up and down to ensure everything is level.
- A multi-row panoramic head
- These are required to achieve a decent result and avoid errors in the capture process.
- Look for ones with a degrees indicator on all axes.
Other equipment that improves the workflow:
- Motorised panorama head, speeds up the process of capturing many images.
- Remote capture device, allows you to take photos without touching the camera to avoid camera shake.
Preparations
To prepare the camera for capturing the multi-row panorama, there are a few things that must be considered:
- Complete leveling of the tripod and camera. This will ensure that the stitched panorama is level.
- Determining the 'entrance pupil' of the lens.
- The entrance pupil is the point of the lens that you want to rotat the camera around. This removes parallax errors and will help with stitching of the images later.
- Calculate the required number of images to capture.
- There are a number of online resources to help with this, here is a calculator using the cameras sensor size, focal length of the lens and overlap percentage of the images.
- Experimentation
Stitching the images
Now that all the images have been captured, its time to stitch them together!
A lot of photo editing software provide workflows for stitching multi-row panoramas.